Daily Archives: 01/02/2010

“’89: The Unfinished Revolution” by Nick Thorpe

The Unfinished Revolution

‘The Unfinished Revolution’ presents a personal view, from ground level, of a revolution which never quite finished. Of how it re-emerges, in demonstrations and uprisings, on a regular basis. How the demons of the past – of collaboration, of unsatisfied national identity, above all of poverty – continue to haunt the present.
Blood drips on Thorpe’s head as he tries to escape the Romanian secret police, with a dissident’s statement hidden in his clothes. Then as the Hungarian government prepares to expel him, he becomes a pawn in the Cold War as the British threaten to retaliate. Through the autumn and winter of 1989, Thorpe hops from revolution to revolution, from Budapest to Prague, Leipzig to East Berlin. And gets to Romania in time for the bloody finale.
But with the victory of democracy, his work was only just beginning. Thorpe guides us through the dramas and traumas of the 1990s, the years of ‘jungle capitalism’ through a taxi blockade in Hungary, and the miners’ invasion of Bucharest. He camps with Vaclav Havel – who borrows his sleeping bag. As Yugoslavia collapses, he reports from Croatia, Bosnia, Serbia and Macedonia.
The book concludes in 2009, with the impact of the crisis of capitalism, 20 years after the crisis of communism.

‘The Unfinished Revolution” presents a personal view, from ground level, of a revolution which never quite finished. Of how it re-emerges, in demonstrations and uprisings, on a regular basis. How the demons of the past – of collaboration, of unsatisfied national identity, above all of poverty – continue to haunt the present.

Blood drips on Thorpe’s head as he tries to escape the Romanian secret police, with a dissident’s statement hidden in his clothes. Then as the Hungarian government prepares to expel him, he becomes a pawn in the Cold War as the British threaten to retaliate. Through the autumn and winter of 1989, Thorpe hops from revolution to revolution, from Budapest to Prague, Leipzig to East Berlin. And gets to Romania in time for the bloody finale.

But with the victory of democracy, his work was only just beginning. Thorpe guides us through the dramas and traumas of the 1990s, the years of ‘jungle capitalism’ through a taxi blockade in Hungary, and the miners’ invasion of Bucharest. He camps with Vaclav Havel – who borrows his sleeping bag. As Yugoslavia collapses, he reports from Croatia, Bosnia, Serbia and Macedonia.

The book concludes in 2009, with the impact of the crisis of capitalism, 20 years after the crisis of communism.

Monday 8 February 2010 – Culture Power Presentation “’89: The Unfinished Revolution” a talk and book presentation by Nick Thorpe. Hosted by Dr Mike Phillips OBE, British novelist, historian and curator

19.00-21.00, The Ratiu Foundation / Romanian Cultural Centre, Manchester Square, 18 Fitzhardinge Street, London W1H 6EQ; Tel. 020 7486 0295, ext 108; e-mail: bookings(at)romanianculturalcentre.org.uk; Entry is free but booking is essential.

BOOK PRESENTATION: “‘89: THE UNFINISHED REVOLUTION - Power and Powerlessness in Eastern Europe” by Nick Thorpe. Paperback, 320 pages, 16 colour plates, Reportage Press (9 November 2009).  ISBN-10: 1906702179, ISBN-13: 978-1906702175

‘89: The Unfinished Revolution’ will be available to buy on the evening at the special price of £10 (normal price £12.99).  The author is available to sign copies.

Nick Thorpe began reporting from Budapest in February 1986, the first western journalist to be based there. For the BBC, the Independent, and the Observer, he covered the dying years of eastern Europe’s regimes, then the revolutions which toppled them. He witnessed the collapse of Yugoslavia, popular uprisings in Bulgaria and Serbia, the transformation of nonviolent to violent resistance in Kosovo. As the BBC’s Central Europe correspondent he continues to report the successes, and the failures of a revolution which never quite reaches its goal.

Organised by The Ratiu Foundation / Romanian Cultural Centre in London.

www.ratiufamilyfoundation.com;  www.romanianculturalcentre.org.uk

Culture Power is a programme initiated by the Ratiu Foundation, consisting of a number of presentations and constructive dialogue with an invited audience. With the support of Reportage Press and ProFusion International Creative Consultancy. Images courtesy of Reportage Press.

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Talent scouting for marketing and communication

IQAdsOportunitate pentru cine cauta asa ceva:

Te-ai decis sa lucrezi in marcomm si nu stii exact de unde sa te apuci de lucru?
Sau ce anume este important pentru cariera pe care ti-ai ales-o?
Vino joi, 4 februarie, la ora 18.00, la IAA House (Calea Victoriei nr. 126, et.3) sa iti povestim despre IQads Kadett, programul de talent scouting pentru industria de marcomm, si despre oportunitatile pe care le poti avea devenind cadet IQads!
Participarea la acest eveniment este gratuita, insa pentru a fi sigur ca ai un loc rezervat,
scrie-ne la contact@IQadsKadett .ro si confirma-ti prezenta.

Te-ai decis sa lucrezi in marcomm si nu stii exact de unde sa te apuci de lucru? Sau ce anume este important pentru cariera pe care ti-ai ales-o?

Vino joi, 4 februarie, la ora 18.00, la IAA House (Calea Victoriei nr. 126, et.3) sa iti povestim despre IQads Kadett, programul de talent scouting pentru industria de marcomm, si despre oportunitatile pe care le poti avea devenind cadet IQads!

Participarea la acest eveniment este gratuita, insa pentru a fi sigur ca ai un loc rezervat,

scrie-ne la contact(at)IQadsKadett.ro si confirma-ti prezenta.

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EU Financial Support for Cultural Cooperation Projects with Third Countries

The EU’s Culture Programme annually supports cultural cooperation projects with a selected number of third countries. Deadline for projects starting between 1 November 2010 and 31 October 2011 is the 3 May 2010 at noon.

EU Financial Support for Cultural Cooperation Projects with Third Countries (deadline: 3 May, 12 am)

This EU funding category seeks to support cultural cooperation projects aimed at cultural exchanges between the countries taking part in the Programme and a number of third countries. In 2010 these are Armenia, Belarus, Egypt, Georgia, Jordan, Moldova, occupied Palestinian Territory and Tunisia.

The action must generate a concrete international cooperation dimension. The cooperation projects involve at least three cultural operators, from at least three eligible countries and cultural cooperation with at least one organisation from the selected third country and/or involve cultural activities carried out in the selected third country.

Funds of between EUR 50.000 and maximum EUR 200.000 are available, but EU support is limited to maximum 50% of the total eligible cost.

Find further information here:
http://eacea.ec.europa.eu/culture/funding/2010/call_strand_13_2010_en.php

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“High Fest” International Theatre Festival

The HIGH FEST International Performing Arts Festival in Yerevan, Armenia welcomes performing arts companies and artists to present their productions in all genres of performing arts.

HIGH FEST International Performing Arts Festival Main festival in the countries of the former USSR (outside of Moscow) 2 – 12 October 2010 / Yerevan, Armenia (Eight Edition) Application deadline – March 1 2010

We are pleased to inform, that the HIGH FEST International Performing Arts Festival welcomes performing arts companies and artists to present their productions in all genres of performing arts including theatre (drama, comedy, mime, movement, circus, street performances, puppet/marionette, fingers theatre, visual), dance (modern, folk, classic etc.), music (opera, classical, musical, contemporary, jazz, folk etc) and other forms of performing arts.

Two Festivals will be held in the framework of the Programs:
*International Programme of Puppet and Children Performances (sixth edition);
*ARMS FEST – Armenian International Student and Youth Programme (fifth edition).

Note !!! If your work is out of the format of the festival or the deadline has already passed we can offer you to participate at the Fringe Program which means you take care all of your expenses. The Organizing Committee provides marketing and publicity costs, as well as free access to all performances and connected events.

If you are interested in participating at the HIGH FEST 2010, please read carefully the information below and send the application form and the info pack till March 1 2010 to the following address:

HIGH FEST International Theatre Festival
Yerevan State Institute of Theatre and Cinema
Amiryan 26
Yerevan 0002
Armenia

For full details: DOWNLOAD application form
http://www.on-the-move.org/documents/HIGHFESTapplication.doc

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“Tales of the Unexpected” at Art Rotterdam

Tales of the Unexpected

From 4 february to 6 march 2010 “Tales of the Unexpected”. Artists: Laurence Aegerter, John Bock, Rossella Biscotti & Kevin van Braak, Josef Bolf, Calin Dan, Irina Dumitrascu, Liu Gang, Boukje Janssen, Jeroen Jongeleen, Jesper Just, Ana Maria Micu, Ciprian Muresan, Sanja Medic, Navid Nuur, Ahmet Ogut, Onno Poiesz, Wilfriedo Prieto, Kathrin Schlegel & Hagen Betzwieser, Daniel de Roo, Ulay, Carine Weve.

Curators:
Maria Rus Bojan & Radek Vana. Produced by Dek 22 Rotterdam, Project Foundation, and MB Art Agency for Art Rotterdam.

Opening 4 February 2010, 18.30-20.30 hours (Willem Buytewechstraat 22, 3024 BN Rotterdam)

To reach Dek22, by public transport: metro (station Coolhaven, change at station Beurs); tram 4 (a little walk south from the Nieuwe Binnenweg, stop Heemraadssingel) ; tram 8 (around the corner from stop Pieter de Hoochweg); bus 44 and 46 (around the corner from stop Erasmus MC). Find Dek22 on the map by clicking this link.

www.projectfoundation.nl

www.dek22.com

www.artrotterdam. com

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Conferintele de la Sosea: Colectii si patrimoniu local

Conferintele de la Sosea

Muzeul Taranului Roman – cunoscut pe vremuri si ca Muzeul de la Sosea, va continua si in cursul anului 2010 ciclul sau de conferinte vizand dezbaterea publica a problematicii vaste a traditiilor in cultura romana actuala. Conferintele se adreseaza publicului larg, in mod special tinerilor specialisti din domeniile umaniste si se organizeaza in fiecare luna, la Clubul Taranului.
Miercuri, 3 februarie, de la ora 18:30, la Clubul Taranului, etnologii Carmen Mihalache si Maria Mateoniu ne vor vorbi despre Colectii si patrimoniu local.
Moderatorul conferintei va fi Vintila Mihailescu, antropolog, director al Muzeului Taranului Roman
In perceptia comuna, patrimoniul este aproape prin definitie „national” – sau, eventual, mondial. Este vorba, adica, de valori reprezentative pentru natiune – sau pentru omenire. Ce inseamna atunci „patrimoniu local”, ce reprezinta bunurile colectionate de catre asa-numitele „muzee locale”? Sau este vorba, de fapt, tot despre aceeasi referinta nationala dar la o scala mai modesta, dupa posibilitatile locului?
Dupa un secol si jumatate de constructie nationala, colectiile locale care infloresc in ultima vreme in Romania mult dincolo de spatiul celor cateva muzee satesti mai mult sau mai putin spontane din timpul comunismului, pun prin chiar existenta lor o problema deloc triviala: ce inseamna „localul”, in general, si cum poate fi definit un „patrimoniu” la acest nivel?

Muzeul Taranului Roman – cunoscut pe vremuri si ca Muzeul de la Sosea, va continua si in cursul anului 2010 ciclul sau de conferinte vizand dezbaterea publica a problematicii vaste a traditiilor in cultura romana actuala. Conferintele se adreseaza publicului larg, in mod special tinerilor specialisti din domeniile umaniste si se organizeaza in fiecare luna, la Clubul Taranului.

Miercuri, 3 februarie, de la ora 18:30, la Clubul Taranului, etnologii Carmen Mihalache si Maria Mateoniu ne vor vorbi despre Colectii si patrimoniu local. Moderatorul conferintei va fi Vintila Mihailescu, antropolog, director al Muzeului Taranului Roman

In perceptia comuna, patrimoniul este aproape prin definitie „national” – sau, eventual, mondial. Este vorba, adica, de valori reprezentative pentru natiune – sau pentru omenire. Ce inseamna atunci „patrimoniu local”, ce reprezinta bunurile colectionate de catre asa-numitele „muzee locale”? Sau este vorba, de fapt, tot despre aceeasi referinta nationala dar la o scala mai modesta, dupa posibilitatile locului?

Dupa un secol si jumatate de constructie nationala, colectiile locale care infloresc in ultima vreme in Romania mult dincolo de spatiul celor cateva muzee satesti mai mult sau mai putin spontane din timpul comunismului, pun prin chiar existenta lor o problema deloc triviala: ce inseamna „localul”, in general, si cum poate fi definit un „patrimoniu” la acest nivel?

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“.. for all my drinking buddies”

Sir Elton John si Lady Gaga au deschis ceremonia decernarii premiilor Grammy. Au sunat extraordinar impreuna, cel putin asa spun criticii.. care nu critica in acest caz. A venit apoi momentul premieriilor. Beyonce avut sanse sa cistige aproape la toate categoriile la care a fost nominalizata. Cu 10 nominalizari a depasit-o pe tanara Swift care avea 8 nominalizari inaintea decernarii premiilor Grammy. Totusi, Taylor Swift a surprins audienta obtinand premiul pentru cel mai bun album, chiar daca Beyonce parea preferata si aici.. sefu’ de la Grammy nu a impartasit optiunea majoritatii.

Si da, stiu, cel mai bun cantec a fost ales totusi “Use somebody” marca Kings of Leon dar eu va propun sa ascultam astazi.. in amintirea acestei editii Grammy Awards “fumata deja”, nu Kings of Leon, nu Beyonce sau Taylor Swift ci taman Lady Gaga.

S-a intamplat sa vad ieri concertul fetei din 2009 de la Glastonbury si sunt in masura sa spun.. fata e dementa! Prefacuta, sincera, dansatoare sau doar o artista cu mult sclipici, tipa a venit in 2009 la Glastonbury sperand sa impresioneze. A marturisit in timpul show-ului ca si ea obisnuia sa vina la festival.. si sa stea topless “pe undeva p’acolo” aratand spre un deal. Ba chiar a si urcat pe scena cu o prietena la un concert Iggy Pop and The Stooges. Ce mai conteaza?! La Glastonbury toti suntem egali!

Audienta i-a mancat din palma.. au sarit, aplaudat, cantat.. la naiba.. mi-as fi dorit sa fiu acolo si sa sar si eu ca tampitu cantand “pa-pa-pa-pa-poker face.. pa-pa-pa..”. Felicitari Glastonbury!

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