Category Archives: International Alternative

1 – 3.04.2009 – Conference on Univeristy Theatre in SEE, Zagreb

We invite all theatre theorists and practitioners, students and university professors as well as any other interested parties to register for the conference on the topic of theatre in university centres in
South-Eastern Europe (tendencies and perspectives of student theatre activities and cooperation and networking opportunities) which will be held in Zagreb 1- 3 April 2009 within the Test!9 Festival. (http://www.test.hr)
Attending the festivals and watching the theatre work at universities in Belgrade, Skopje, Ljubljana, Sarajevo, Pritina, Sofia, Zagreb, and else, we were thrilled with creativity, enthusiasm, energy, skills and modernity of student theatre artists. Their performances are coming deeply from their cultural background and personal experience what makes them extraordinary and somehow different from the rest of the Europe. It is heritage which still needs proper cultural and sociological studies. We believe that regional network of student (university) theatre will make it possible.
Therefore the main objectives of the Conference within the frame of Test!9 as we conceptualized it is sharing experience and founding a network of people and organizations that make theatre/culture at universities in SEE.
This centre/network/organization should help artists/students/professors to connect, share their work and collaborate within this network as well as towards the rest of the Europe/World.

Any abstract related to these themes is welcomed by the organizers.IUTA/AITU International University Theatre Association, whose Test! is a member since 2000, encourage foundation of regional organizations. More about IUTA/AITU on: http://www.aitu-iuta.org

You can apply and ask questions about the Conference on: testzg.conference(at)gmail.com

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One Day Sculpture

ONE DAY SCULPTURE: An International Symposium on Art, Place and Time Convened by Litmus Research Initiative, School of Fine Arts, Massey University, Wellington New Zealand in conjunction with the Museum of New Zealand Te Papa Tongarewa

Curated in association with Situations, University of the West of England, Bristol 26 – 28 MARCH 2009

Overview
The ONE DAY SCULPTURE symposium brings together leading international curators, cultural theorists and historians, participating artists, writers and curators to address the principal ideas and contexts that have informed the development of the series. The symposium will consider the issues
underpinning the commissioning and production of temporary place-responsive artworks in the public domain. In particular it will examine:

The ways in which conventional notions of permanency and monumentality in public sculpture are being challenged; How artists are approaching and producing places as unstable, contested
sets of relations rather than fixed sites; How ephemeral, performative and viral forms of contemporary art are demanding active engagement outside the gallery or museum; and What the implications are for emergent curatorial practices in terms of presentation and distribution.

Coinciding with the realisation of three ONE DAY SCULPTURE projects in Wellington, the symposium allows for a fluid interchange between these ideas and the first-hand experience of commissioned projects. Significantly, the symposium focuses on the point of view of participating artists and their
responses to the curatorial parameters of the ONE DAY SCULPTURE series. To download the Symposium brochure here, go to the home page of http://www.situations.org.uk.

Programme
The symposium will be inaugurated on the evening of Thursday 26th March with a keynote lecture by Professor Jane Rendell. The following two days will be structured through a series of parallel sessions, book-ended by presentations and discussions on each day. The concurrent two-hour sessions
comprise workshops on ONE DAY SCULPTURE projects with either the commissioned artist or curator, close readings of a key historical or critical text with an international critic or academic and a presentation session featuring four short academic papers. Delegates will be invited to book for these sessions as each workshop is limited. The academic session is unlimited. Information on how to book for sessions you wish to attend will be sent to registered delegates in February 2009 when the full symposium programme is released.

Invited Speakers
Speakers and workshop leaders include: Professor Jane Rendell, (Keynote speaker) Director of Architectural Research, The Bartlett, Faculty of The Built Environment, University College London and author of Art and Architecture: A Place Between (I. B. Tauris,2006)

Jan Verwoert is an art critic based in Berlin. He is a contributing editor of Frieze and teaches at the MA Fine Arts course at the Piet Zwart Institute in Rotterdam
Mick Wilson is an artist, writer and educator and a graduate of the NCAD and
Trinity College Dublin. He is the Dean of the Graduate School of Creative
Arts and Media (www.gradcam.ie)
Claire Doherty, Director of Situations and Senior Research Fellow,
University of the West of England, Bristol and Curatorial Director of ONE
DAY SCULPTURE
Bik van der Pol, participating ONE DAY SCULPTURE artists
Paola Pivi, participating ONE DAY SCULPTURE artists
Javier Tellez, participating ONE DAY SCULPTURE artist

Registration
Registration is now open at
http://www.onedaysculpture.org.nz/ODS_programme_sym.php

Enquiries

Hannah Edmunds
Symposium Administrator
+64 4 801 2794 x6197
h.l.edmunds@massey.ac.nz

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SocialEast Seminar on Art and Espionage


CALL FOR PAPERS: SocialEast Seminar on Art and Espionage

Proposals for papers are invited from art historians, curators and artists that examine the art and visual culture of Eastern Europe and beyond in both historical and contemporary contexts. Papers are sought for the SocialEast Seminar on Art and Espionage, which will be held at the Courtauld Institute of Art in London on Friday 27 February 2009.

This SocialEast Seminar considers the involvement of art during the Cold War with espionage, both on the level of international exchange and in specific national contexts. It deals with attempts within the Eastern Bloc to monitor artists through surveillance and networks of informers, the role of art espionage as an instrument of Sovietisation, and the methods used to control the involvement of artists in the international art world. There will also be discussion of the parallel role of Western organisations in activities from cultural espionage to the use of art as a propaganda weapon. The seminar will also consider artistic responses to the phenomenon of spying and the wider legacy of artistic espionage for the topography of contemporary art.

To suggest a paper for the SocialEast Seminar on Art and Espionage, please send a 200 word proposal and biographical note to Dr. Reuben Fowkes by email to info@socialeast.org

The deadline for submitting a proposal is Monday 22 December 2008. For more information see: http://www.socialeast.org

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Call to writers and artists interested in contributing to Free Press

Trade Union is a project initiated to explore ideas around late capitalism; in particular the economies of contemporary art and the possibilities that can arise from the current geopolitical climate.

Trade Union is issuing a call to writers and artists interested in contributing to Free Press.

Free Press is a critical collaborative writing project where participants decide the form and content of the publication, as well as producing the final document and deciding how it will be distributed. The main production process will happen over 3 days during March 2009, at Plan
9 in Bristol, with a preparatory dialogue happening online beforehand. Travel costs, food and
accommodation will be provided.

If you are interested in participating, please send your CV and two examples of your writing to
tradeunionart@gmail.com by 20 January 2009.More information on Trade Union at
http://tradeunionart.blogspot.com

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