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Anne Barlow at 5th Bucharest Biennale 2012

The 5th Bucharest Biennale (Bucharest International Biennial for Contemporary Art), generated by PAVILION—journal for politics & culture—is set for 25 May – 22 July 2012, under the curatorship of Anne Barlow (UK/USA).

Anne Barlow, the Curator of Bucharest Biennale 5, will hold a press conference on the 21st of September 2010, at Art in General (79 Walker Street), New York, USA, at 6.00 PM.

bb5The Bucharest Biennale is interested in the link between creative practice and social development, and correspondences between local and global contexts. Now in its fifth year, the Biennale is building a strong partnership between Bucharest—in itself, a symbol of how the political can be reflected in every aspect of life—and Western Europe. The Biennale connects to a universal problem that transcends specific geographical or historical contexts, that of “resistance” in daily life. The Biennale is a structure that is able to transform the city itself into a site of ongoing activity, as well a field of action.

Fundamentally, European culture has been the result of exchange, sometimes peaceful, other times violent, that has taken place between neighbouring societies and different social groups within a given state. These horizontal and vertical forms of cultural exchange occurred in many different manners: through imitation, assimilation, dissimulation, appropriation, through either mutual understanding or hegemonic dominance. The Biennale aims to operate in a way that demonstrates sensitivity and competence in dealing with the “others” as the “alter” from different cultural backgrounds. With BB4 being covered by more than 120 publications and seen by 58,000 visitors, the Biennale is now regarded as one of the most vital biennials in Europe.  By appointing a European-American curator Bucharest Biennale will provide a link the between two cultures in a different way.

Anne Barlow (born in Glasgow, Scotland), the appointed Curator of BB5, is Executive Director of Art in General, New York. After receiving an M. A. in the History of Art at the University of Glasgow, Scotland, Barlow acted as Curator of the Scottish Arts Council Collection of contemporary art (1989-1994) and Curator of Contemporary Art and Design at Glasgow Museums (1994-1999), where she managed a temporary exhibitions program, contemporary art and design collection, artists’ residencies, and new commissions. From 1999-2006, she was Curator of Education and Media Programs at the New Museum, New York, where she oversaw the scope of the museum’s educational and public programs; initiated and developed Museum as Hub, a global network initiative that connected the museum with international contemporary art partners in Cairo, Eindhoven, Mexico City and Seoul; organized inter-disciplinary roundtables with leaders in the fields of the visual arts, architecture, and design; and curated numerous exhibitions and performances. Independently, she also collaborated on the exhibition Copy It, Steal It, Share it at Borusan Art Gallery, Istanbul (2003), and guest-curated film and media projects for Threshold Artspace, Perth, Scotland (2007). Barlow has published for organizations including Liverpool University Press/Tate Gallery Liverpool; the Henry Moore Institute, Leeds, United Kingdom; the Edith Russ House for Media Art, Oldenburg; the New Museum, New York; and Art in General. She was also a lecturer/ guest critic for organizations including the Royal College of Art, London; Centre for Contemporary Art, Warsaw; MUMOK, Vienna; New York University; The Cooper Union for the Advancement of Science and Art, New York; and Tate Modern, London.

The Assistant Curator to Anne Barlow will be Romanian Simina Neagu (b. 1988). Since 2009 Neagu has been working as Assistant Director at Pavilion UniCredit center for contemporary art and culture, and the Pavilion journal for politics and culture and Bucharest Biennale. She studied art history, curating, and art criticism at University of Bucharest and University of Arts, London. She collaborated with institutions such as the Romanian National Museum of Art, the Centre for Visual Introspection and Swedish Travelling Exhibitions. She is a regular contributor to the online platform sfere.ro, and is currently writing her thesis on Eastern European neo-avantgarde and preparing “Caution! Institutional Space!” exhibition.

The co-directors of Bucharest Biennale are Razvan Ion & Eugen Radescu.

Razvan Ion (b. 1970) is a theoretician, curator, cultural manager and political activist. He is the co-editor (with Eugen Radescu), of PAVILION – journal for politics and culture, co-director of BUCHAREST BIENNALE and in 2008 he was appointed director of PAVILION UNICREDIT- center for contemporary art & culture. He has lectured at venues including the University of California, Berkeley; Headlands Center for the Arts, San Francisco, California; Political Science Faculty, Cluj; Art Academy, Timisoara; La Casa Encedida, Madrid; and the Calouste Gulbenkian Foundation, Lisbon.. Ion writes for different magazines and newspapers, and recently curated “Exploring the Return of Repression” at Pavilion, Bucharest and rum46, Aarhus. He is now working on the book project “Exploring the Return of Repression” and his new curatorial project “Smash the Church! Smash the State!” dealing with anarchist and collective activism and social-political movements in art. His next curated exhibition, “Disruptive Monsters: From Representing to Constructing Situations, will be in 2011. From 2010 he will have classes in the University of Bucharest, Romania. Ion lives and works in Bucharest.

Eugen Radescu (b. 1978) is a politologist (specializing in moral relativism and political ethics), cultural manager, curator and theoretician. He is a professor at the Political Science Faculty in Bucharest and Cluj, Romania, and writes for various magazines and newspapers. Among other exhibitions, Radescu curated Bucharest Biennale 1 with the theme “Identity Factories” and “How Innocent Is That?” at Pavilion Bucharest. He is co-editor of PAVILION – journal for politics and culture and co-director of BUCHAREST BIENNALE (with Razvan Ion) and the chairman of the organizational board of PAVILION and BUCHAREST BIENNALE. He has lectured at venues including Art Academy, Timisoara; La Casa Encedida, Madrid; the Calouste Gulbenkian Foundation, Lisbon; and Apex Art, New York. He recently returned from a residency at Apex Art, New York, and published the book “How Innocent is That?” with Revolver Publishing, Berlin. He is also a professor at Political Science Faculty in Cluj, Romania. Radescu lives and works in Bucharest and is currently working on a new book on moral relativism.

The BB5 press conference in New York City is possible with the support of the Romanian Cultural Institute, New York and Art in General, New York.

Bucharest Biennale is generated by Pavilion – journal for politics and culture.


BUCHAREST BIENNALE
Bucharest International Biennial for Contemporary Art
proudly supported by PILSNER URQUELL

Sos. Nicolae Titulescu 1 (Piata Victoriei)
Bucharest 011131 Romania
T: + 4 031 103 4131
E: pavilion@pavilionmagazine.org
www.bucharestbiennale.org


Facebook: www.facebook.com/pavilionjournal

This is a project by PAVILION – journal for politics and culture.
www.pavilionjournal.org


PAVILION, BUCHAREST BIENNALE and PAVILION UNICREDIT are projects devised and founded by Razvan Ion and Eugen Radescu


Proudly sponsored by: Pilsner Urquell
Strategic partner: UniCredit Tiriac Bank
Media partners: 22 Magazine, Afterall, Alternativ, Arhitectura, Cabinet, Cura Magazine, Euromedia, Framework, Kaleidoscope, Metropotam, Modernism, Mute, Oops Media, Open, Radical Philosophy, Springerin, VeiozaArte, Vicious Vitamins, Zile si Nopti.
Official club: Control
Production partner: UpDate Advertising

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BB4 Handlung. On Producing Possibilities

BB4BUCHAREST BIENNALE 4
Handlung. On Producing Possibilities

May 21 – July 25, 2010
Opening/preview day: May 20, 2010

HANDLUNG. ON PRODUCING POSSIBILITIES

BB4 takes the ambiguity of the German term “Handlung” – that is impossible to translate in all its levels of meaning, but it is somehow located between action, activity, agency and participation, but at the same time it could also mean story or even narration – as a starting point to examine diverse practices, which are proposing various forms of action. BB4 attempts to scrutinize and to exhaust the promise – that might just be a supposition – of art taking place in the public sphere and is it thus creating possibilities for (political) action or does the artwork itself has already inherited this moment of action? Therefore, the exhibition rather tries to articulate questions and suggests different prospects than to formulate answers. BB4 will show artistic projects that deal with direct involvement in actions, participation and public space as well as community based art, but also works that are based on questioning, correcting and subverting history and historiography form, among others, a central point. The biennial aims to intensify the interaction with the urban and political context in Bucharest by inviting participants from different fields.

CURATOR

BB4Felix Vogel (b. 1987) is a researcher and curator. Studies in art history, media theory, philosophy and aesthetics at HfG Karlsruhe and Universidad Autónoma de Madrid. His research and curatorial practice is focused on the relations between aesthetics and the social sphere. Consequently, he is interested in areas linked to activism, gender, historical avant-gardes as well as participative architecture. In 2008 he edited two books for One Star Press (Paris): “Renaud Auguste-Dormeuil: Fin de représentation” and “Lia Perjovschi: Sense.” and has written for different magazines, among others PAVILION, Cura, Displayer and AFI. Felix Vogel gave lectures in institutions such as Index (Stockholm), Evento (Bordeaux) and PAVILION UNICREDIT (Bucharest). He taught workshops and seminars at HEAD Geneva, Free Academy Bucharest and 1.Curatorial Symposium Sofia/Plovdiv. ?Felix Vogel lives and works in Berlin.

ARTISTS

The curator of BB4 has selected 37 participants/artists from 19 countries, who will show works produced between 1935 and 2010 and some of them specially for BUCHAREST BIENNALE.

Magnus Bärtås (SE)
Martin Beck (AT)
Kalle Brolin (SE)
Pablo Bronstein (AR/UK)
Kaucyila Brooke (US/AT)
Cabello/Carceller (ES)
Elena Ciobanu (RO)
Stefan Constantinescu (RO/SE)
Claudia Cristóvaõ (AO/NL)
Angela Ferreira (MZ/PT)
Field Work / Nis Rømer & Lise Skou (DK)
Zachary Formwalt (US/NL)
Andrea Geyer (DE/US)
Charlotte Ginsborg (UK)
Goldin+Senneby (SE)
Ion Grigorescu (RO)
Sabrina Gschwandtner (AT/US)
Nicoline van Harskamp (NL)
Marcel Iancu (RO)
Maryam Jafri (PK/DK)
Alexander Kluge (DE)
laBOMBA (RO)
Christine Meisner (DE)
Asier Mendizabal (ES)
Stina Östberg (SE)
Olivia Plender (UK) & Unnar Örn (IS)
Emily Roysdon (US)
Fia-Stina Sandlund (SE)
Lina Selander (SE)
Société Réaliste (FR/HU)
Åsa Sonjasdotter (NO)
Pilvi Takala (FI/NL)
The Otolith Group (UK)
Fereshteh Toosi (IR)
Lan Tuazon (PH)
Florin Tudor & Mona Vatamanu (RO)
Judi Werthein (AR)

LOCATIONS

Each of the 6 locations chosen for the BB4 are justified by their history, socio-political involvement, but also by the topographical location: Centre for Visual Introspection, The Geology Museum, LaBOMBA, PAVILION UNICREDIT – centre for contemporary art and culture (where the info-point will be located), Political Science Institute, ParadisGaraj.
PUBLICATIONS
PAVILION – journal for politics and culture will dedicate a special issue to the Biennale with contributions by all the artists and texts by Felix Vogel, Bruno Latour, Chantal Mouffe, Maria Muhle, Ludger Schwarte, Reinhold Martin, Hito Steyerl, Eugen Radescu, Wu Ming, Julia Brotea and Daniel Béland, Andrei Craciun, Antonio Negri, Doina Petrescu, Razvan Ion, Peter Osborne.

A mini-guide will be published to be a handy instrument for navigation through the biennale.

The journal and the guide can be ordered soon from www.pavilionjournal.org or can be directly purchased from the info-point of Bucharest Biennale 4.

SIMULTANEOUS PARALLEL EVENTS

A wide range of lectures, debates, performances and other parallel events will take place especially during the opening days and during the whole course of Bucharest Biennale 4. Among the opening days are lectures by Chantal Mouffe and Maria Muhle as well as a parallel exhibition project with HEAD Geneva. From June 25 and 26 an international conference on “Comparative Art History: The Biennale Principle” will take place in collaboration with the Swiss Art History Institute; speakers include Beat Wyss, Zdenka Badovinac and other renowned  scholars and curators.

For more details about the parallel events please visit: www.bucharestbiennale.org
Keep connected to news with us on our Facebook: www.facebook.com/pavilionjournal

SUPPORTERS

Proudly sponsored by PILSNER URQUELL

Strategic partner: UniCredit Bank

Partners: Austrian Cultural Forum, British Council, Centre for Visual Introspection, Danish Arts Council, French Cultural Institute, FSPUB (Faculty of Political Science, Bucharest University), Geology Museum Bucharest, IFA Germany, laBOMBA, Mondriaan Foundation, Netherlands Embassy in Bucharest, OCA Norway, Paradis Garaj, Polish Institute, Romanian Cultural Institute New York, Rumänska Kulturinstitutet Stockholm, Seacex, UNArte (National University of Arts, Bucharest)

Media partners: 22 Magazine, Afterall, Alternativ, Arhitectura, Cabinet, Cura Magazine, Euromedia, Framework, Kaleidoscope, Mute, Oops Media, Open, Radical Philosophy, Springerin, VeiozaArte, Vicious Vitamins.

Audio-visual partner: Sony

Production partner: UpDate Adv

Printing partner: First Advertising

Official hotel: Intercontinental Bucharest

Official club: Control

Official city guide: City Compass

PRESS AND PROFESSIONALS ACCREDITATION

For accreditation please visit http://bucharestbiennale.org/press.html

PRODUCER

This is a project by PAVILION – journal for politics and culture.
www.pavilionjournal.org
More details at:
http://www.bucharestbiennale.org

PAVILION, BUCHAREST BIENNALE and PAVILION UNICREDIT are projects devised and founded by Razvan Ion and Eugen Radescu

Image: Sabrina Gschwandtner, Wartime Knitting Circle, 2007, wool, cotton, wood, knitting supplies and paper, dimensions variable. Courtesy of the artist.

BUCHAREST BIENNALE
Bucharest International Biennial for Contemporary Art
proudly supported by PILSNER URQUELL

Sos. Nicolae Titulescu 1 (Piata Victoriei)

Bucharest  011131 Romania
T: + 4 031 103 4131

Facebook: www.facebook.com/pavilionjournal

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Sa vorbim despre Bucharest Biennale4!

Piata UniversitatiiFelix Vogel, curatorul desemnat al Bucharest Biennale 4 va face publica lista artistilor invitati sa participe la Bucharest Biennale4 – Bienala Internationala de Arta Contemporana Bucuresti din 2010.

Conferinta de presa va avea loc in cadrul PAVILION UNICREDIT – centrul pentru arta si cultura contemporana (Sos. Nicolae Titulescu nr. 1, in Piata Victoriei), BUCURESTI, 8 martie 2010, ora 11:00 a.m.

La conferinta vor participa Eugen Radescu, co-director of BUCHAREST BIENNALE, Ioana Nitu, director executiv, Andrei Craciun, assistant curator, si artistii romani participanti la cea de-a 4-a editie a bienalei.

BUCHAREST BIENNALE – Bienala Internationala de Arta Contemporana Bucuresti promoveaza cunoasterea si propagarea culturii – in special in domeniul artelor – prin intermediul cooperarii si al schimburilor culturale in interiorul Europei si dincolo de granitele sale, elaborind concomitent strategii ce stimuleaza intelegerea reciproca si ofera posibilitati comprehensive din perspective diverse.

BUCHAREST BIENNALE 4, realizata de Pavilion – journal for politics and culture, este programata pentru perioada 21 mai – 25 iulie 2010 si il are drept curator pe Felix Vogel (Germania) care a ales ca tema “Handlung – Productia de posibilitati”.

BB4 preia ambiguitatea termenului german Handlung – care este imposibil de tradus la toate nivelele sale de semnificare, dar se plasseaza cumva intre actiune, activitate, instrumentalizare si participare, desi poate insemna concomitent si poveste sau naratiune – drept punct de plecare pentru studierea unor practici diverse, care propun diferite forme de actiune. BB4 incearca sa investigheze cu minutiozitate si sa epuizeze promisiunea – ce poate fi doar o presupozitie – a unei arte ce are loc in sfera publica si care e supusa interogatiei: se creeaza astfel posibilitati de actiune (politica) sau opera de arta in sine mosteneste deja acest moment al actiunii? In consecinta, manifestarea nu incearca sa ofere neaparat raspunsuri, ci mai degraba sa articuleze intrebari si sa sugereze diverse perspective posibile. BUCHAREST BIENNALE 4 urmareste sa intensifice interactiunea cu contextul urban si politic al Bucurestiului, iarl participantii invitati vor proveni din diverse domenii, cum ar fi artele plastice, arhitectura, politica, antropologia etc.

Pentru mai multe detalii despre concept si un interviu cu Felix Vogel (de Markus Missen) : http://www.bucharestbiennale.org

Felix Vogel (n. 1987 in Germania) este curator si teoretician. Studiile sale si activitatea sa de curator sint centrate pe raporturile dintre estetica si sfera sociala. Prin urmare, el este interesat de domenii ce au legatura cu activismul civic, studiile de gen, avangardele istorice, precum si arhitectura participativa. Printre cele mai recente proiecte curatoriale ale sale se numara “100 Dutch Minutes („O suta de minute olandeze” – Bucuresti, Cluj, Iasi, Timisoara), 1234567 (Karlsruhe) si Holy Damn It! („Sfinte al naibii!” – Karlsruhe). Felix Vogel a coordonat recent aparitia a doua volume la editura OneStarPress din Paris: cel al lui Renaud Auguste-Dormeuil – Fin de représentation, si cel al Liei Perjovschi – Sense. In plus, scrie si lucreaza la diverse reviste, cum ar fi PAVILION, AFI si Displayer.
In prezent Felix Vogel locuieste si lucreaza in Berlin, Germania.

Imagine: Bucuresti vedere aeriana.

Sponsorul principal al BUCHAREST BIENNALE este Pilsner Urquell, partener strategic fiind UniCredit Tiriac Bank, eveniment recomandat de Alternativ.ro

Mai multe detalii la www.bucharestbiennale.org

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Pavilion #14: Biopolitics, Necropolitics and De-Coloniality

Pavilion “I am interested in rethinking conceptually, politically and ideologically the conditions of the re/production of life, art and culture in the social and political space in the present moment of neoliberal global capitalism. Capitalism is not just a framework “out there somewhere.” It is the condition sine qua non of the way we live and of how life is conceptualized today. It is also the basic condition of the way in which the social and political layers of society function. Last but not least, it is at the basis of the way in which each and every institution of contemporary capitalist society is organized and functions today. When I say “institution,” I mean both its material foundation and its “non-material” discourses. Institutions today comprise innumerable social practices, their theoretical conceptualization and practical organizations.” (extras from “From Biopolitics to Necropolitics and the Institution of Contemporary Art” by Marina Grzinic)

The guest editor of the 14 number of Pavilion is Marina Grzinic.

In this issue:
(free download the pdf version of the issue at www.pavilionjournal.org)

COLUMN

Biopolitics, Necropolitics and De-Coloniality
Marina Grzinic

BIOPOLITICS, NECROPOLITICS AND DE-COLONIALITY
PART I

From Biopolitics to Necropolitics and the Institution of Contemporary Art
Marina Grzinic

Metastasis of Democracy, Communication and Mass Intelect
Sefik Seki Tatlic

AROUND
PART II

Life After Death
Nejra Nuna Cengic

EXTENT
PART III

The Communal and the Decolonial
Walter Mignolo

De-Linking from Capital and the Colonial Matrix of Power: Class Racialization and the (De)Regulation of Life
Sebastjan Leban

Beyond the State and the Market: Trans-Modern Art as a Way of Liberating Knowledge and Being
Madina Tlostanova

What is PAVILION?

A journal for politics and culture that name alludes to the relative temporary structure of the contemporary art.
The journal is presenting wide-ranging, multi-disciplinary content in each issue through the varied formats of regular column, essays, interviews, and artist projects.
Our publication addresses to a broad audience of readers, which are interested in contemporary culture and recent political and social issues and does not only want to describe contemporary phenomenon but with its militant attitude it tries to directly intervene in cultural, political and social life.
Every issue has a special theme, which gives the general outline for the accumulation of texts, artworks and projects.
Moreover, PAVILION is the producer of many related projects like BUCHAREST BIENNALE | Bucharest International Biennial for Contemporary Art, www.bucharestbiennale.org and run the contemporary art center PAVILION UNICREDIT, www.paviliounicredit.org

Our blog: http://pavilion.pavilionmagazine.org/

Flexicover, English, 14.5 x 19.5 cm, 176 pages, wrapped in plastic, price 15 € + 3 € pp.
In Bucharest can be found exclusively at PAVILION center for contemporary art & culture with 30% discount. For students 50% discount.

Internationally distributed in Europe, Australia, USA, Asia.

For orders write to pavilion(at)pavilionmagazine.org or call +4 031 103 4131.
You can also order the magazine by PayPal on the website.


PAVILION
journal for politics and culture
Sos. Nicolae Titulescu 1 (Piata Victoriei)
Bucharest 011131 Romania
T: + 4 031 103 4131
E: pavilion(at)pavilionmagazine.org

Facebook: www.facebook.com/pavilionjournal

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PAVILION – Lecture Series (VII)

True-North-BlackCoatBlow.jpgDin “Lecture series” episodul 7, Pavilion va aduce in pagina “The Fool” de Lara Taubman. Lansarea, 19 octombrie de la ora 18 la Centrul Cultural American din strada Jean Louis Calderon, nr.7-9.

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Bucharest Biennale 2

bucharest_biennale.jpg

Incepe Bucharest Biennale. O initiativa ce doreste sa transforme Bucurestiul intr-un camp de actiune artistica, sa sparga izolarea culturala si sa stabileasca un parteneriat pe termen lung intre Capitala Romaniei – care est eun oras marturie a implicarii politice in fiecare element al vietii cotidiene – si Europa. Totodata prin acest eveniment se incurajeaza creativitatea artistica, accesul public la cultura, diseminarea artei, dialogul intercultural si cunoasterea culturii contemporane europene si din afara Europei.

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