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Call for Participation: Black Shorts Film Workshop Georgia

We are searching for 20 participants to create experimental films at a 12-day research workshop in Georgia around the theme of BLACK. Unwearable, but hopefully not unbearable, these BLACK SHORTS will then be editing during a second workshop in Budapest before been screened in cinemas and published online. Previous experience in filmmaking is welcome but not necessary, just an inquisitive mind, an eagerness to learn and a willingness to collaborate. Do you want to spread rumours of everyday life in Georgia? Then read below to find out more.

So what exactly does the BLACK SHORTS project consist of?

1. A 12-day training, research and filming workshop in Georgia with 20 young people from across Europe (May 10th – May 22nd 2011).
2. A 4-day video editing workshop in Hungary (June 5th – 9th 2011).
3. Public premiers of the finished films at downtown cinemas in Budapest, Tbilisi and Berlin (June).
4. The distribution of the finished films online, at film festivals and via DVD.

Why Georgia? Why Black? We are aware that blackness in Georgia can invoke the past. It might be associated with the dark 90′s – with armed street gangs, bullies and cleptocracy. Or that black could also refer blackouts that plagued Georgia throughout the 90s and early 2000s, or the caravans of black BMWs and Mercedes owned by the wealthy and the ruling class. If this is black, then maybe the Revolution of Roses in 2003 was meant to signal the start of a colourful future? That it was in part about the suppression of the black-side of Georgian society? A top-down and coloured modernisation that has physically manifested itself through colourful street repainting, gentrification and upbeat styles? Of course, we might be taking black a bit too far – its roots lie in everyday life. After all, if you asked most foreigners to think of black in Georgia then it would be the Black Sea that springs to mind, whilst for many Georgians it’s another sea of black they see on a day-to-day basis – the sea of black clothing in which most people clad themselves.
Thus black is both a colour of everyday life and a colour full of symbolic tension – a tension that can be artistically exploited. Turning black on its head, we want to use the colour to shed light on stories of everyday life in Georgia. Whilst the topic of black can be broad, what unites the possible film-topics is the colour’s underlying subversiveness, outsiderness and supposed legitimisation of all that is ‘white’, legal and proper. We feel ill at ease with both the bright promises of modernity, as well as the dark undertones of local-based resistance. Instead, we care for smaller stories of everydayness that are (dis)coloured – symbolically or physically. Intrigued and inspired, we want to slip under state-based radars to bring black rumours of everyday life.

Give me more details! What will happen at the workshops? During the first two days of the filming workshop in Georgia, you will be trained in the basic camera and sound techniquesand be given an introduction into how to develop a story within a film. We will also form five teams of filmmakers, based on research interest, film skills and local language ability. Within the team you will develop your common idea for a film with an expert tutor. The teams will then have a little over a week to film their chosen topic. The final days of this first workshop will be for reviewing footage and deciding upon how your final film will look. During the editing workshop in Budapest, you will (having solved conceptual, thematic etc. issues in Georgia and via email) make the final edit of your film. On the final day we will screen the films in a downtown cinema in Budapest.

Who are you? We are the central and eastern European magazine Plotki, the Georgian documentary film company Sakdoc Film and the Centre for Arts and Culture at the Central European University in Budapest.

Who am I? If you’re under 35, creative, willing to learn, inquisitive and speak good enough English to work in a multi-national team, then we’d love you to apply. Though local language ability is an advantage, you don’t have to speak Georgian or Russian as each team will have one Georgian/Russian speaking participant. Though previous filmmaking experience is not necessary, we encourage filmmakers to apply (though you should have realistic expectations and be willing to work with those who are less experienced). We will select participants based on their profile and the proposed film idea (see application form below). Whilst we would like to cover all participants’ travel costs, if you live outside Europe then it’s unlikely that we will be able to fund the full amount due to budget limitations.

How much will this cost me? What will I get in return? If you’re living in Georgia the participation cost is 10EUR, if you’re not from Georgia the cost is 120EUR (to reflect the differing travel-costs). In return you’ll get travel to and from the Georgian workshop, living expenses in Georgia, travel to and from the Hungarian workshop and living expenses in Hungary. You’ll also get training sessions on using film equipment, conceptualising documentary films and editing films. Finally, and most importantly, you’ll get the chance to design, plan, shoot and edit a short film as part of a multi-national team.

What type of film do you expect? We are looking for short (average 15mins) experimental film on the theme of black in Georgia.

Application Form.

Deadline for applications is March 15th* (application form below).
Please submit to: blackshorts@plotki.net
www.plotki.net/blackshorts

*Information.*
Name
Age
Nationality (needed for visa issues)
Currently residing in (needed for travel cost calculation)
Relevant experience (filmmaking, artistic, social scientific, journalistic)
Languages spoken (English is a must, Georgian and Russian appreciated)
Please indicate that you are available to take part in the two seminars
(May 10th – May 22nd and June 5th – 9th 2011).
Please attach a CV

*Motivation.*
Why do you want to take part in Black Shorts?

Creation
Please provide a short (1 page max) proposal of the film you would like to
make. The filming can take place anywhere in Georgia.

Your proposal should include:
- the topic: What is it? Why is it interesting? In what way does it relate
to the theme?
-the how: How will you access the people/places/groups? How will you film
it?
(Please note that if you’re accepted, you may not be able to make the film
idea on which you’re accepted. You will work in a team of 3-4 people, thus
collaboration and negotiation will take place).

Decision
Deadline for application is March 15th. We aim to select participants by March 20th.

Source: http://www.plotki.net/cms/index.php?option=content&task=view&id=846

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“Autobiografia lui Nicolae Ceausescu”, in topul „Sight & Sound” al celor mai bune filme din 2010

“Autobiografia lui Nicolae Ceausescu”, in regia lui Andrei Ujica, a fost inclus in topul celor mai bune filme lansate in cinematografele lumii in 2010, de catre prestigioasa revista britanica “Sight & Sound”. Echivalenta publicatiei franceze “Cahiers du Cinema” pe pamant anglo-saxon, revista lunara este editata de British Film Institute inca din 1934.  Pentru traditionalul sau clasament de sfarsit de an, publicatia a reunit voturile a 85 dintre cei mai apreciati si mai influenti critici de film.

Autobiografia lui Nicolae Ceausescu

“Autobiografia lui Nicolae Ceausescu” se afla pe pozitia a opta in acest clasament,  impreuna cu “Film Socialisme” (Jean-Luc Godard), “Nostalgia de la Luz” (Patricio Guzman), “Poetry” (Lee Chang-Dong) si “Un prophete” (Jacques Audiard), astfel incat topul are anul acesta 12 titluri, in loc de obisnuitele 10. Este de remarcat faptul ca, pentru prima oara, se regasesc doua filme de non-fictiune printre primele pozitii “Sight & Sound”, o dovada a fortei actuale a genului.

In 2007, un film romanesc, “4 luni, 3 saptamani si 2 zile” al lui Cristian Mungiu, a ocupat aceeasi pozitie.

Invingator in 2009 a fost “Un prophete”, de Jacques Audiard, luat in considerare si anul acesta de un numar de critici care l-au vazut cu intarziere.

SIGHT & SOUND: BEST OF 2010

1. “The Social Network” (David Fincher)

2. “Uncle Boonmee Who Can Recall His Past Lives” (Apichatpong Weerasethakul)

3. “Another Year” (Mike Leigh)

4. “Carlos” (Olivier Assayas)

5. “The Arbor” (Clio Barnard)

6. “Winter’s Bone” (Debra Granik)

7. “I Am Love” (Luca Guadagnino)

8. “Autobiografia lui Nicolae Ceausescu” (Andrei Ujica)

9. “Film Socialisme” (Jean-Luc Godard)

10. “Nostalgia de la Luz” (Patricio Guzmán)

11. „Poetry” (Lee Chang-dong)

12. “Un prophete” (Jacques Audiard)

„Autobiografia lui Nicolae Ceausescu” a fost realizata de Icon Production, in asociere cu Televiziunea Romana, cu sprijinul Centrului National al Cinematografiei si cu participarea The Media Partnership, Funda?ia ARTE VIZUALE si HFG / ZKM Filminstitut.

Filmul este distribuit in Romania de Voodoo Films.

Date suplimentare despre film puteti gasi pe site-ul www.autobiografia.ro si pe http://www.facebook.com/AutobiografiaNC

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A 35-a editie a Premiilor Cesar

“Concertul”, regizat de Radu Mihaileanu, a obtinut sambata seara doua premii Cesar. Filmul a fost rasplatit pentru cel mai bun sunet si pentru cea mai buna coloana sonora. “Concertul” a fost una dintre cele mai bine cotate pelicule la cea de-a 35-a editie a premiilor Cesar. Pelicula a avut sase nominalizari, la categoriile “cel mai bun film”, “cel mai bun scenariu original”, “cea mai buna muzica”, “cel mai bun sunet”, “cel mai bun montaj” si “cel mai bun regizor”. Dintre toate, coloana sonora semnata de Armand Amar, a fost cea mai apreciata.

Actrita Marion Cotillard a prezentat cea de-a 35-a gala a premiilor Cesar de pe 27 februarie. Un premiu Cesar onorific a fost decernat actorului american Harrison Ford. Organizatorii galei au adus un omagiu si lui Eric Rohmer, considerat unul dintre pionierii noului val din cinematografia franceza, decedat pe 11 ianuarie, la varsta de 89 de ani. Dar iata nominalizarile si castigatorii acestei editii:

Cesar

Lista completa a nominalizarilor la premiile Cesar 2010:

Cel mai bun film
“Profetul/ Un Prophete” de Jacques Audiard
“Welcome” de Philippe Lioret
“A L’Origine” de Xavier Giannoli
“Concertul/ Le Concert” de Radu Mihaileanu
“Les Herbes Folles” de Alain Resnais
“La Journee De La Jupe” de Jean-Paul Lilienfeld
“Rapt” de Lucas Belvaux

Cel mai bun regizor
Xavier Giannoli – “A L’Origine”
Jacques Audiard – “Profetul/ Un Prophète”
Philippe Lioret – “Welcome”
Radu Mihaileanu – “Concertul/ Le Concert”
Lucas Belvaux – “Rapt”

Cel mai bun actor
Tahar Rahim – “Profetul/ Un Prophete”
Vincent Lindon – “Welcome”
Francois Cluzet – “A L’Origine”
Francois Cluzet – “Le Dernier Pour La Route”
Yvan Attal – “Rapt”

Cea mai buna actrita
Isabelle Adjani – “La Journee De La Jupe”
Dominique Blanc – “L’Autre”
Sandrine Kiberlain – “Mademoiselle Chambon”
Kristin Scott-Thomas – “Partir”
Audrey Tautou – “Coco Chanel”

Cel mai bun actor in rol secundar
Jean-Hugues Anglade – “Persecution”
Niels Arestrup – “Profetul/ Un Prophete”
Benoit Poelvoorde – “Coco Chanel”
Michel Vuillermoz – “Le Dernier Pour La Route”
Joey Starr – “Le Bal Des Actrices”

Cea mai buna actrita in rol secundar
Aure Atika – “Mademoiselle Chambon”
Anne Consigny – “Rapt”
Audrey Dana – “Welcome”
Emmanuelle Devos – “A L’Origine”
Noemie Lvovsky – “Les Beaux Gosses”

Cel mai promitator actor debutant
Firat Ayverdi – “Welcome”
Adel Bencherif – “Profetul/ Un Prophete”
Vincent Lacoste – “Les Beaux Gosses”
Tahar Rahim – “Profetul/ Un Prophète”
Vincent Rottiers – “Je Suis Heureux Que Ma Mère Soit Vivante”

Cea mai promitatoare actrita debutanta
Pauline Etienne – “Qu’Un Seul Tienne Et Les Autres Suivront”
Florence Loiret-Caille – “Je L’Aimais”
Soko – “A L’Origine”
Christa Theret – “Lol (Laughing Out Loud)”
Melanie Thierry – “Le Dernier Pour La Route”

Cel mai bun film de debut
“Les Beaux Gosses” de Riad Sattouf
“Le Dernier Pour La Route” de Philippe Godeau
“Espion(s)” de Nicolas Saada
“La Premiere etoile” de Lucien Jean-Baptiste
“Qu’Un Seul Tienne Et Les Autres Suivront” de Lea Fehner

Cel mai bun film documentar
“L’Enfer D’Henri-Georges Clouzot” de Serge Bromberg si Ruxandra Medrea
“La Danse – Le Ballet De L’Opera De Paris” de Frederick Wiseman
“Himalaya, Le Chemin Du Ciel” de Marianne Chaud
“Home” de Yann Arthus-Bertrand
“Ne Me Libérez Pas, Je M’En Charge” de Fabienne Godet

Cel mai bun scenariu original
Jacques Audiard, Thomas Bidegain, Abdel Raouf Dafri, Nicolas Peufaillit – “Profetul/ Un Prophete”
Xavier Giannoli – “A L’Origine”
Jean-Paul Lilienfeld – “La Journee De La Jupe”
Philippe Lioret, Emmanuel Courcol, Olivier Adam – “Welcome”
Radu Mihaileanu, Alain-Michel Blanc – “Concertul/ Le Concert”

Cel mai bun scenariu adaptat
Stephane Brize, Florence Vignon – “Mademoiselle Chambon”
Anne Fontaine, Camille Fontaine – “Coco Chanel”
Philippe Godeau, Agnes De Sacy – “Le Dernier Pour La Route”
Laurent Tirard, Gregoire Vigneron – “Le Petit Nicolas”
Alex Reval, Laurent Herbiet – “Les Herbes Folles”

Cel mai bun film strain
“Avatar” de James Cameron
“Gran Torino” de Clint Eastwood
“Milk-Pretul curajului” de Gus Van Sant
“J’Ai Tue Ma Mere” de Xavier Dolan
“Panique Au Village” de Stephane Aubier si Vincent Patar
“Das Weisse Band” de Michael Haneke
“Vagabondul milionar/ Slumdog Millionaire” de Danny Boyle

Cea mai buna coloana sonora
Armand Amar – “Concertul/ Le Concert”
Alex Beaupain – “Non Ma Fille Tu N’Iras Pas Danser”
Alexandre Desplat – “Profetul/ Un Prophete”
Cliff Martinez – “A L’Origine”
Nicola Piovani – “Welcome”

Cel mai bun sunet
Pierre Excoffier, Bruno Tarriere, Selim Azzazi – “Concertul/ Le Concert”
Pierre Mertens, Laurent Quaglio, Eric Tisserand – “Welcome”
Francois Musy, Gabriel Hafner – “A L’Origine”
Brigitte Taillandier, Francis Wargnier, Jean-Paul Hurier – “Profetul/ Un Prophete”
Jean Umansky, Gerard Hardy, Vincent Arnardi – “Micmacs a Tire-larigot”

Cea mai buna scenografie
Michel Barthelemy – “Profetul/ Un Prophete”
Aline Bonetto – “Micmacs a Tire-larigot”
Maamar Ech-Cheikh – “Oss 117 : Rio Ne Repond Plus”
François-Renaud Labarthe – “A L’Origine”
Olivier Radot – “Coco Chanel”

Cele mai bune costume
Chattoune & Fab – “Coco Chanel Et Igor Stravinsky”
Charlotte David – “Oss 117 : Rio Ne Répond Plus”
Madeline Fontaine – “Micmacs a Tire-larigot”
Catherine Leterrier – “Coco Chanel”
Virginie Montel – “Profetul/ Un Prophete”

Cea mai buna imagine
Christophe Beaucarne – “Coco Avant Chanel”
Laurent Dailland – “Welcome”
Stephane Fontaine – “Profetul/ Un Prophete”
Eric Gautier -”Les Herbes Folles”
Glynn Speeckaert – “A L’Origine”

Cel mai bun montaj
Celia Lafitedupont – “A L’Origine”
Herve De Luze – “Les Herbes Folles”
Andrea Sedlackova – “Welcome”
Ludo Troch – “Concertul/ Le Concert”
Juliette Welfling – “Profetul/ Un Prophete”

Cel mai bun scurtmetraj
“C’Est Gratuit Pour Les Filles” de Claire Burger si Marie Amachoukeli
“¿ Donde Esta Kim Basinger ?” de Edouard Deluc
“La Raison De L’Autre” de Foued Mansour
“Seance Familiale” de Cheng-Chui Kuo
“Les Williams” de Alban Mench

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Tabor Film Festival

Tabor Film FestivalTabor Film Festival, the eight international short film festival, will take place on a historical position of the castle of Veliki Tabor, the city of Zabok and Zagreb.
It is supported by the Croatian audiovisual center and organized by GOKUL
association with the assistance of the Museums of Hrvatsko Zagorje, Krapina-Zagorje County, K-Zona, Mraz, the city of Zabok, the town of Desinic, and other public and private partners.

International jury will present the Tabor Film Festival awards to:

- Grand Prix for the best film of the festival (1000€)
- Best animation (250€)
- Best documentary (250€)
- Best experimental (250€)
- Best fiction (250€)

and Domestic jury will present award for
- Best domestic film (500€)

We will also hand out the Audience award (250€).

Awards include festival trophies (“Veronika’s Skull”, “reAnimated Veronika”, “Vox Veronika”) and cash prizes. Apart from competitions, the festival also includes retrospective short film programmes, film workshops, music programmes, various exhibitions…

Please send us viewing copies of your film on DVD

COMPETITIONS REGULATIONS

Selected films will be requested in the screening format specified on their entry form. Films of 30 minutes or less are eligible.

Entry procedures and selection: Participants must enter their films on the Festival’s web site (on-line form), print out (and sign) the form that will be generated after on-line registration. The form for International competition must be received at the Festival office by March 1st, 2010 at the latest, with a DVD .

If the original film or video is in a language other than English, then film should be subtitled in English.

One or more stills from the film and a photo of the director, with permission for their use, must be sent via Festival’s web site. Film registration will only be valid upon reception of these documents, on April 1st, 2010 for International and for Domestic competition.

DVD’s and videocassettes must be sent:
- by mail (specify “no commercial value – for cultural purposes”)
- or EMS (DHL, Federal Express, UPS…) for a declared value of less than
15 € or US$ 15. to the address below.

Shipping of the films: Screening prints (Digi Beta or BETA SP PAL) of selected films must be sent to the Festival office by mail or by courier service (DHL, Federal Express…). Film prints must arrive at the Festival office on June 15th,
2010.

Television broadcasting and the Internet: Participation in the Festival implies giving Croatian and foreign television channels the right to broadcast extracts of the film. This regulation applies equally for the Internet.

Return of film prints and shipping: Prints will be returned after the festival, in July 2010. DVD’s will be kept in the Festival archive. Shipping costs must be paid by the applicant, but return expenses will be covered by the Festival.

For any further questions, suggestions or advice concerning organization and cooperation, please contact Tabor Film Festival.

8th International Short Film Festival: http://www.taborfilmfestival.com/regulations2010

dl: 01/04/10

Kontakt:
GOKUL association
Tabor Film Festival
Matije Gupca 53/1
49 210 Zabok
Croatia
tel: +385 91 893 20 23, +385 98 490 456
fax: +385 49 221 060
luksa(at)taborfilmfestival.com
http://www.taborfilmfestival.com

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The 3rd Annual Toronto-Romanian Film Festival

Toro

Crises are ubiquitous, crises are unequivocally and invariably chaotic. They are precarious, an unexpected departure from the standards of ‘things predetermined;’ they inflect the unexpected, mobilize change and indict the reluctant. Crises happen. And they compel adaptation.
Curated by the ToRo Arts Group (with the support of, and in collaboration with, the Romanian Cultural Institute) and scheduled to transpire between Feb.4-7 the 3rd Annual Toronto-Romanian Film Festival will explore the intricacies, modes and relational realities of adaptation, as they manifest themselves socially, politically and economically. For more info on this, click here.

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“Amintiri din Epoca de Aur” pentru toti curiosii din strainatate

Amintiri din Epoca de Aur

n perioada 22.01-04.02 « Amintiri din epoca de aur » (1&2) vor fi proiectate cu subtitrare franceza si engleza pentru rezidentii bucuresteni care nu vorbesc limba romana.
Proiectiile cu subtitrare in limba franceza vor avea loc la Institutul francez din Bucuresti – sala Elvire Popesco (Bd.Dacia, nr.77), dupa cum urmeaza :
Amintiri din Epoca de Aur 1 :
- Vineri (22.01) / Miercuri (27.01) / Joi(28.01) – incepind cu orele 18.00 / 20.00
- Simbata (23.01)/ Duminica (24.01) – incepind cu orele 16.00/ 18.00/ 20.00
Amintiri din Epoca de Aur 2 :
- Vineri (29.01) / Luni – Joi (01-04.02) – incepind cu orele 18.00 / 20.00
- Simbata (30.01) / si Duminica (31.01) – incepind cu orele 16.00 / 18.00 / 20.00
Proiectiile cu subtitrare in limba engleza vor avea loc la Muzeul Taranului Roman – Studioul Horia Bernea (Sos.Kiseleff, nr.3), dupa urmatorul program :
Amintiri din Epoca de Aur 1 :
- Vineri (22.01) – de la ora 20.30
- Sambata (23.01) si Duminica (31.01) – de la ora 18.30
- Sambata (30.01) – de la ora 16.30
Amintiri din epoca de Aur 2 :
- Duminica (24.01) – de la ora 16.30
- Marti (26.01) – de la ora 20.30
- Vineri (29.01) – de la ora 20.30
« Amintiri din epoca de aur » a fost cel mai vizionat film romanesc al anului 2009. Proiectul colectiv coordonat de Cristian Mungiu ecranizeaza cele mai hazlii legende urbane din perioada anilor ‘80 in Romania.
Detalii suplimentare pe site-urile Institutului Francez si al Muzeului Taranului Roman din Bucuresti.

In perioada 22.01-04.02 “Amintiri din epoca de aur” (1&2) vor fi proiectate cu subtitrare franceza si engleza pentru rezidentii bucuresteni care nu vorbesc limba romana.

Proiectiile cu subtitrare in limba franceza vor avea loc la Institutul francez din Bucuresti – sala Elvire Popesco (Bd.Dacia, nr.77), dupa cum urmeaza :

Amintiri din Epoca de Aur 1 :

-Vineri (22.01) / Miercuri (27.01) / Joi(28.01) – incepind cu orele 18.00 / 20.00

-Simbata (23.01)/ Duminica (24.01) – incepind cu orele 16.00/ 18.00/ 20.00

Amintiri din Epoca de Aur 2 :

-Vineri (29.01) / Luni – Joi (01-04.02) – incepind cu orele 18.00 / 20.00

-Simbata (30.01) / si Duminica (31.01) – incepind cu orele 16.00 / 18.00 / 20.00

Proiectiile cu subtitrare in limba engleza vor avea loc la Muzeul Taranului Roman – Studioul Horia Bernea (Sos.Kiseleff, nr.3), dupa urmatorul program :

Amintiri din Epoca de Aur 1 :

-Vineri (22.01) – de la ora 20.30

-Sambata (23.01) si Duminica (31.01) – de la ora 18.30

-Sambata (30.01) – de la ora 16.30

Amintiri din epoca de Aur 2 :

-Duminica (24.01) – de la ora 16.30

-Marti (26.01) – de la ora 20.30

-Vineri (29.01) – de la ora 20.30

“Amintiri din epoca de aur” a fost cel mai vizionat film romanesc al anului 2009. Proiectul colectiv coordonat de Cristian Mungiu ecranizeaza cele mai hazlii legende urbane din perioada anilor ‘80 in Romania.

Detalii suplimentare pe site-urile Institutului Francez si al Muzeului Taranului Roman din Bucuresti.

sursa/foto: http://www.amintiridinepocadeaur.ro/

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Anim’est 2009 – Call for entries

 

anim’est 2009 - The anim’est sheep announces that the 4th anim’est International Animation Film Festival Bucharest Romania is open for submissions. We would be happy to receive films produced after January 1st, 2007, for the following competition categories:

feature films
* short films
* student films
* video clip and advertising
* Romanian animation

Deadlines:

* July 1st, 2009 for the DVD and the entry form

* September 10th, 2009 for the prints of the selected films

You can download the entry form and the rules & regulations

For further information, please contact us: 

* email: contact@estenest. ro or contact@animest. ro

* mobile phone: +40746785180

* website: www.animest. ro

We are waiting for your films at the following address: ESTENEST Association, Drumul Taberei 92, Bl. C7, Sc. F, Ap. 235, Bucharest 6, zip code: 061406,Romania 

We are looking forward to receiving your submissions and, why not, to meeting you in Bucharest in October!

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Leonardo DiCaprio va prezinta “The 11th Hour”

Leonardo DiCaprio a scris, produs si narat „The 11th Hour“, un documentar prin care a reaprins discutiile despre salvarea Planetei, la un an distanta de filmul lui Al Gore, „An Inconvenient Truth“. Din dorinta de a face economie de pelicula, documentarul nu va putea fi vazut in salile de cinema din Europa, fiind disponibil pe internet. Zeci de specialisti defileaza prin fata telespectatorilor, oprindu-se asupra problemelor cu care se confrunta mediul, incercand sa determine cauze si sa propuna si solutii. Actorul le-a lasat savantilor rolul principal, el a pus doar intrebarile si a incercat sa obtina raspunsuri, scopul filmului fiind acela de a da cuvantul celor care se pricep la mediu. Pentru a da o mai mare greutate povestii, DiCaprio i-a convocat pentru acest proiect pe fizicianul Stephen Hawking si pe fostul presedinte al URSS, Mihail Gorbaciov, pentru a arata cauza dezastrelor, dar si gesturile simple care pot salva Terra. Declaratiile lor sunt sustinute de imagini socante infatisand zone de pe glob afectate de uragane sau de seceta, echipa de filmare plecand de la premiza ca pentru a convinge trebuie mai intai sa socheze. Vizionare placuta!

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